Showing posts with label Video poetry. Show all posts
Showing posts with label Video poetry. Show all posts

16 May 2011

Tuesday poem: 'The Opposite of Sex' from Nine Movies

1 The Opposite of Sex

The first time is always awkward

You held the Jaffas where I could reach
your hand too close
to my leg

Apparently Lisa Kudrow has a degree
in something
We’re always so surprised
when actors aren’t stupid

Later that night
I jumped into a taxi
and the driver looked at you
through his rear-vision mirror
and asked
‘Are you breaking that poor guy’s heart?’


This poem is the first section of a sequence called 'Nine Movies', which has just been published in Sport 39 - all six pages of it! So I'm publishing it here as a kind of celebration. You can read the rest of the sequence in the latest Sport. It's kind of a love story. Well, actually, it is a love story. *Spoiler* It ends happily - at least the poem sequence ends happily. The story hasn't ended, but it continues very happily. It may be based on a true story.

There are lots of other great things in the lastest issue of Sport too, including poems by the other members of Helen Cubed (Helen Heath and Helen Lehndorf), so Sport is now with 66% more Helen. They've also just got a new website: http://www.sportmagazine.co.nz/

Another thing I'm celebrating is that I got a new, whizzy and very cute computer/laptop/netbookish thing. It has things like a web cam, so I have finally entered the 21st century. So, I decided I would record myself reading this poem. I did, and the not-especially-high-quality results are below.



If you are having trouble viewing it here, you can watch it on YouTube: http://www.youtube.com/watch?v=Ud_1i1zckig

And go and check out the Tuesday Poem hub blog, with the featured poem, and all the other Tuesday Poem blogs: http://tuesdaypoem.blogspot.com/

05 July 2010

Tuesday poem: 'Calling you home': a video poem

Inspired by Helen Heath, whose Tuesday poem last week was a video of 'Guys like Gauguin' by Selina Tusitala Marsh, I've decided to do a video poem this week too. This is 'Calling you home', by me. I had grand plans of making lots of video poems, but, as yet, my plan has not come to fruition. I hope this will change in the future, but you know, so much to do, so little time...

I also chose this because it's about S, who stars, briefly, in the video. His surgery went really well and he's doing fine, but stuff like this makes you appreciate things, and other soppy stuff.

The real star of this video though is the manky flat I lived in when I wrote it, and where a friend still lives – so I got to go back and film most of this there.

Anyway, here's 'Calling you home':



If for some reason you can't view it here, you can see it here on YouTube: http://www.youtube.com/watch?v=-lq21OmFTF4.

You can find more Tuesday Poems here at the official blog: http://tuesdaypoem.blogspot.com/.

12 May 2009

First new poetry video on my YouTube group - NZ Poets on Video

Yay! Someone else has added the first (other than my effort) video to my YouTube NZ Poets on Video group - thanks Meliors.

You can view her video, 'Non Linear Time', on YouTube, or on her blog. You can tell from the visuals that she's a book artist.

Now I just need to update my New Zealand Poets on Video directory! I have several more things I need to add. Who needs a job eh? I could totally fill my days without one. Oh yes, that's why I need a job . . .

19 April 2009

Video poetry, part 2: New Zealand Poets on Video

It isn't that I actually need another project - I always have lots on the go - too much probably. But late last year I got interested in making little films. I guess I'd kind of been interested in it for a while, but I was spurred particularly by two things. The first was the poems I've been writing that are inspired by films and film-making, and the second was reading a biography of Kubrick (the frustrating one that ends before he's died, because he hadn't died yet when it was published).

I started wondering what it would be like to look at things through a viewfinder, to frame the world in a narrower way. I started to think about the parallels between metaphor in poetry and the metaphor in film.

Then I started thinking about how it would be cool to video poets reading their poems as a kind of resource and as an archive for the future. A few years ago Jan Kemp and Jack Ross organised the mammoth Aotearoa New Zealand Poetry Sound Archive project - basically all the poets in New Zealand were recorded for this. I don't plan to embark on something so big, but I'd like to video poets around about the place reading some of their work, and perhaps do some interviews with them too.

I'm also interested in what I (and some other people) call video poems, which are kind of like music videos for poems. My first video, 'Calling you home', which I blogged about recently, is one of those.

I'll make these available on the net, and I thought it would be cool to pull together what else is out there that other people have done. So, to this end, I've set up a YouTube group for videos of NZ poets and/or poems: http://www.youtube.com/group/NZPoetsonvideo - please join and contribute if you're doing this sort of thing.

I've also started a directory of NZ poets on video on the net: http://nzpoetsonvideo.wordpress.com/. This is very much in progress - in fact not really started, but I think it will be a good resource. I've found a few more relevant videos on YouTube, and some on the NZ Electronic Poetry Centre website that I haven't added yet, but if you know of any, or you've made some, either add them to the YouTube group or email the links to nzpoetsonvideoATyahoo.co.nz.

11 April 2009

Video poetry, part 1

Last weekend I made my first ever movie, and you can now watch it on YouTube: http://tr.im/iAQ3. (It’s very short – 2 mins, 6 secs)

For both days of last weekend I was on an Introduction to Film and Video Production course. I thought we’d muck around, learn how to use video cameras, get taught some theory, get shown the editing software. We turn up at 9 am on Saturday, there’s only three of us in the class, and the tutor (a young up-and-comer) tells us the best way to learn is to do, and that we’re going to make a film each by 4 pm Sunday, so time to start brainstorming.

I decided to make a movie based on one of my poems, ‘Calling you Home’, which was in my first book, Abstract Internal Furniture. (I also helped out with my classmate/colleague’s short documentary, ‘B&B Lady’, which was fun, but another story.)


First I recorded myself reading the poem – just on the video camera – I later kept the sound but abandoned the video track. Then in the evening, after the course finished, I took the camera away and filmed the images.

Thinking about what images to use was a really interesting process. I wanted to use images that went with the poem, but weren’t too literal. I guess in the same way a poem is metaphorical, I wanted the film to be metaphorical. The poem is about a flat I used to live in, but it’s also about my relationship with Sean, which began while I was in this flat.

So my first on-location shoot was at that flat, where, fortunately, my friend Brian still lives (and probably always will). I shot so many different angles of the outside of that house, and I didn’t really know how I was going to use them. I also shot some things inside, and some stuff that I knew exactly which bit of the poem they were for.

Then, later that night, back at home, I shot some other footage – if you watch the movie – it’s the stuff with the teacup and my souvenir teaspoons. I’m especially proud of that sequence – it’s kind of like stop motion (except I actually kept the camera running the whole time, so the raw footage has my hands moving things around).

So, I had my footage, but wasn’t too sure how I was going to use it. Some of it seemed a bit dull by itself, but then I had a brainwave – I’d layer it. Most of the way through there is a main image, with a ghostly image behind. I’m very happy with how this turned out – especially the bit with a duvet being pulled forward over a shot that zooms/pulls towards the window of the house. The two movements seem to me to work together really nicely.

I used a piece of instrumental music by a friend of mine who often goes by the name of Lucan as a soundtrack, which fortuitously fitted. He gave it to us as a wedding present, and the poem was read (by Anne Marie) at our wedding, which all ties together nicely.

It was all a bit of a rush at the end, so I didn’t have the chance to fix a few odd things. But, as a first film goes, I’m really happy with it.