18 November 2009

Where can I get me a copy of Watching for Smoke?

Well, seeing as you asked: if you don't already have one, you can get yourself your very own, made-with-love copy of Watching for Smoke, by Helen Heath by:
  • buying a copy off either myself or Helen, if you should be lucky enough to know one or other or both of us personally
  • emailing me at seraphpressATparadise.net.nz to order a copy
  • buying it off Helen's Etsy shop - she just popped it up today, complete with some lovely, lovely photos
  • buying it Unity Books Wellington, if you wait a few more days until I take in the copies for them
  • asking your nice, friendly local bookshop to order a copy from me - they might like to know the ISBN, which is 978-0-473-15379-3.
I've also just updated my Seraph Press website - an uncommon occurrence I'm afraid - to include information about Watching for Smoke, and the upcoming (soon!) Ithaca Island Bay Leaves, by Vana Manasiadis.

15 November 2009

Ithaca Island Bay Leaves update


As I mentioned below, I've been pretty busy getting Ithaca Island Bay Leaves: a mythistorima by Vana Manasiadis all finished so I can get it printed. I'm almost, almost there.

I can now present the cover, which features a wonderful lithograph by Christchurch artist Marian Maguire, entitled Athena Observes a Fracas. This image is particularly appropriate as it introduces Greek mythology into a New Zealand context in a similar way to what Vana does in many of her poems.

Marian does this in quite a few of her works, including the series this print comes from (The Odyssey of Captain Cook), and also in a more recent series, The Labours of Herakles, in which Herakles ends up in colonial New Zealand. I'm totally delighted that we're going to be able to launch Ithaca in the middle of The Labours of Herakles (and several ancient Greek vases - safely housed in sturdy cabinets) in the Adam Art Gallery. What could be more perfect! You can see some more of Marian's work on the Papergraphica gallery website.

As a taster for Ithaca, here's the blurb from the back cover:
the ocean is what I’m standing in – one tiptoe on the Pacific rim and one not.
(‘Talking Tectonics’)

Part family exploration, part personal narrative, this haunting and delicate debut collection weaves the mythic into the everyday.

Drawing on her Greek heritage, Vana Manasiadis has Icarus crashing in Wellington storm, Theseus as a DOC ranger, and her grandfather, grandmother and mother threading their way through times, places and incarnations.

Exploring the ex patria feeling of ‘being here and being there,’ she sews together Greece and New Zealand to create a playful and deeply moving journey.

Charlotte Simmonds at this month's Poetry Society meeting

This month's Poetry Society meeting is actually tomorrow, which seems to have come rather quickly. (This whole year has gone terrifyingly quickly, and this next less-than-three weeks before we launch Ithaca Island Bay Leaves will go very quickly. It's almost ready to go to the printers though, so I'm confident that it will all be done in good time.)

Charlotte Simmonds, this month's guest reader, is the author of The World's Fastest Flower, which was published last year and was a finalist in the Best First Book category of the book awards. I had heard good things about it from my friend Emma, who, when she first read it, enjoyed it so much that as soon as she finished it she started reading it again from the beginning.

I realised, after hearing that she was the next guest reader, that I'd seen/heard her read at a couple of open-mic poetry readings, and had been really impressed both times. So I decided I'd read her book before the reading, and I really enjoyed it.

How to describe it? It's a bit different, and thank goodness for that. It's like a breath of fresh, youthful air. It's not all necessarily easy poetry, but it isn't dense or dry. It isn't what you'd expect - or, at least, it isn't what I've come to expect.

There's a prose-poetryness about many of the poems, with lots of long lines, little narratives. But the language is playful and intense. Sometimes the poems were clear, sometimes they made no sense, but only a few didn't grab me. Many of the poems seemed very personal, raw even, but the narrative voices/personas are different from each other, and many are clearly not the poet (or at least not a straight-forward version of the poet), so it's a bit more complicated.

Anyway, I'm looking forward to hearing her read. If you want to go along too, the details are:

Monday 16 November, 7.30 pm
The Thistle Inn, 3 Mulgrave St
Entry: $2
The meeting will open, as always, with an open mic.

08 November 2009

Two new reviews of My Iron Spine

I’ve had two more (favourable) reviews of My Iron Spine recently.

The first was a brief review by the lovely Siobhan Harvey in Poetry NZ 39. She says it ‘underpins its author’s feminist concerns with a forceful poeticism’ and I am ‘at her best when lyrically reinventing the voices, lives and difficulties of the famous and infamous.’ She mentions ‘Handicrafts with Minnie Dean’, ‘Kate Sheppard and I go for a ride’ and ‘Partying with Katherine Mansfield’ as ‘just a few examples of Rickerby’s success throughout My Iron Spine in breathing new and cadent life into a faux-mythical cast.’

The second review was on the blog of Jennifer Sullivan, a US poet I’ve gotten to know on the net, due to our common interest in poet Anne Carson. So you can read the whole thing over there. But to make myself feel happy I’m going to quote my fav bits. She says that My Iron Spine is: ‘poignant, witty, tender, fun, and moving’, and says about the first section, ‘Flashes of déjà vu’: A charming voice waltzes through the narrative, saying things like, ‘I was playing hungry / hungry hippos / when my grandmother died’ or ‘I wonder / if the Kingdom of Heaven / is like the Titanic– / not enough lifeboats.’ Then she goes on to say lovely things about the other two sections, and even says that sometimes the book is akin to the work of our common idol, Anne Carson. High praise indeed.

01 November 2009

Watching for Smoke launch, and my Poetry Society reading

I’ve been a bit quiet lately. While this has partly been because my computer is still being fixed (Dad has replaced so many bits of it, in order to find out what wasn’t working, it’s going to end up as a different computer altogether), mainly I’ve just been recovering from a whole bunch of things, including the launch we had for the latest Seraph Press book, Watching for Smoke by Helen Heath (and getting lots of books made beforehand), and the reading I did at the Poetry Society the day after.

Watching for Smoke launch

This was lots of fun. I’d gotten a bit anxious because instead of arriving an hour beforehand to set up, as I planned, we got there with 15 minutes to spare due to a girl falling off her motorbike close to our place, and my kind friends bringing her up to the house to have a cup of tea and attend to her grazes. I needn’t have worried though – there were already people in the kitchen putting jam and cream on pikelets, and my team of family and friends helped us finishing setting up in record time (thanks guys!).

Being in an old church hall (St Peters in Paekakariki), and with treats such as the aforementioned pikelets, it had the feeling of a ‘ladies-a-plate’ sort of event, but in the best possible way. Kids ran around, or danced to the fabulous music of Dan, Stefan, and another musician whose name I’m afraid I didn’t catch.

Dinah Hawken launched the book. As well as being a poet admired both Helen and myself, Dinah is Helen’s supervisor for her MA in creative writing. (Helen will be putting the finishing touches to her portfolio, perhaps at this very moment.) Dinah said lots of lovely things about the book and about Helen’s poetry in general. She also said that she kind of wished that all poetry books could be just little books, like this chapbook, rather than having to be larger volumes. While I’m a fan of larger poetry books too, there is something very satisfying about the smallness and concentration of a chapbook.

Helen then talked and read a few poems, including one not from Watching for Smoke which she read especially for her father. We sold quite a few books, but I still have a few left (and a few left to make – though not too many). If you want to buy one, I’ll sell them to you for $15 direct – just email me at Helen.RickerbyATparadise.net.nz. Unity Books in Wellington will have some soon, where they’ll be $20.

Voyagers event and my reading at the Poetry Society

It was a bit of a busy day – immediately before my reading I attended the Wellington event for the Voyagers New Zealand science fiction poetry anthology publicity tour. (This must be the best-publicised book in NZ in recent history – and it’s actually published by an Australian
company.) Co-editor Tim Jones, who was MCing, kindly let me read first, so I could sneak off early to get myself together. I was very sorry to have missed most of the other readers, but I did end up really needing the time to get a bite to eat and, mainly, spend ages mucking around with my friend Angelina’s computer to get the datashow working. Actually, I didn’t muck around with it much, it was mainly my new heroes Angelina and Poetry-Society attendee Lonnard, who finally beat it into submission – or rather facilitated communication between the computer and the projector.

As always, the reading began with an open mic, and I thought it an especially good one. One of the highlights was Harvey Molloy reciting 'Caedmon’s Hymn' in Old English.

Everyone was wondering what I was going to do with the datashow, but I started off my reading low-tech, so they had to wait. I read some of my new poems that are playing with various ideas related to cinema, and then I showed them my wee video poem, ‘Calling you home’.

The main thing I used the datashow for was just to show an image while I read my poems. I’d tried this at my reading in Palmerston North in May, and it seemed to go well. So I expanded it a bit this time and while reading poems from My Iron Spine about women from history, I showed an image of the woman the poem was about (except Marie Curie, for whom I was unable to find a picture before my borrowed computer refused to connect to the internet any more that afternoon). So I had pictures of Kate Sheppard, Minnie Dean, Emily Brontë, Emily Dickinson, Virginia Woolf and Sylvia Plath. My final poem was ‘Artemisia Gentileschi’, which is basically talking about her life while talking about her paintings, so it was really great to be able to have people look at the paintings while listening to the poem. It made a lot more sense to a lot of people, and I think helped them to get the funny bits (there are one or two) in the middle of what is mostly a fairly grim, raw poem (it gets much more hopeful at the end).

We had quite a lively question time, and my favourite question I think, was ‘Did you realise that all those women looked like you?’ I didn’t, and I still don’t really think they do.

16 October 2009

Invitations to stuff

If I haven't yet invited you to either the Watching for Smoke book launch (Sunday 3.30 St Peter's Hall Paekakariki) or my reading at the Poetry Society on Monday (7.30 Thistle Inn 3 Mulgrave Steet Thorndon), then I have probably lost your email address (hopefully temporarily) when my computer died (but the hard drive is hopefully ok), or you live out of town and I thought it was to far for you to come. I have discovered that, while Facebook is kind of a bit waste of time, it is really good for inviting people to stuff.

The other thing I should invite you all to is a reading for the Voyagers science fiction poetry anthology. We contributors are reading at the Wellington Central Library at 5.30 on Monday (just before my Poetry Society reading). There's also a reading at the Paraparaumu library on Tuesday at 5.30 (but I'm not entirely certain if I can make that).

There are Voyagers readings all around the country - Dunedin last night, Christchurch tonight, and after Wellington there will be some in Auckland. I think this is one of the best-promoted books I can remember, ever. (Oh except perhaps those boy wizard books and anything by Dan Brown.)

08 October 2009

Launching Watching for Smoke

Come along to help us celebrate the launch of:

Watching for Smoke

by Helen Heath.

on Sunday 18th October at 3.30 pm in St Peter’s Hall, Beach Road, Paekakariki.

This hand-bound poetry chapbook will be launched by Dinah Hawken, and will be available for sale at $15 (RRP $20).

There will be bubbly, there will be scones, there will most likely be tea and coffee, there will be music. We hope you can come.

This is the first of two books I (ie Seraph Press) am (is) publishing this year. I'm already starting to organise the launch for the next one (Ithaca Island Bay Leaves), which will likely be very very early December.

22 September 2009

Go wandering with JAAM 27

This isn't a real blog post - this is just to say that JAAM 27, gorgeous thing that it is, is in the process of being released to the world. And you can read more about it in the media release I just posted over on the JAAM website: http://jaam.wordpress.com/2009/09/22/go-wandering-with-jaam-27/.

12 September 2009

I read at the Poetry Society

And, this is my 200th post, so I wanted to do something a bit special with it – which is to announce that I’m going to be the guest reader at the October meeting of the Poetry Society! I’m very excited about this and I hope you will be able to come.

It's going to be on Monday 19 October, 7.30 pm, upstairs at The Thistle Inn, 3 Mulgrave St.

I’m going to read a mixture of new stuff and poems from My Iron Spine. All going well, I'm going to spice it up a bit with a little bit of multi-media, as I did at the reading I did in Palmerston North in May.

This will be the second time I've been a guest reader at the Poetry Society. The first time was long, long ago - more than a decade ago - when I was guest reader with Ingrid Horrocks and Paul Wolffram. We were new, young poets. It was very exciting to have people take us seriously. But then, I'm always excited to be taken seriously.

Lewis Scott at Poetry Society

African-American-New-Zealand jazz poet L E Scott is the guest reader at this month's poetry society meeting. He's always a great performer.

Monday 21 September, 7.30pm
Upstairs at The Thistle Inn, 3 Mulgrave Street

The meeting will open, as always, with an open mic. Entry: $2.

02 September 2009

Stuff to know about: Fantastic Voyages - Writing Speculative Fiction

And the next night you could go to:
That's probably all the info you need to know, but there's more here on Tim Jones's blog: http://timjonesbooks.blogspot.com/2009/08/fantastic-voyages-writing-speculative.html

Stuff to know about: Blackmail Press 25 and Wellington launch

Blackmail Press 25: The Rebel Issue, edited by Sarah Barnett and Bill Nelson, went live today. I'm fortunate enough to have had a couple of poems selected: 'The happiness of Mary Shelley' and 'Jesus Christ, Saviour'.

Mary Shelley was a bit of a rebel, especially in her younger days. I wrote this poem for My Iron Spine, and it was in there until the very last, when I decided it wasn't quite right and that the book would benefit from being a bit shorter. It was a hard decision, as I'm very fond of it. I'm glad it's found a home, and I hope I'll find a collection for it to fit into some time.

'Jesus Christ, Saviour' is actually about the actor Klaus Kinski rather than Jesus Christ himself, though both were rebels in their own ways. It's my response to watching a documentary of Klaus Kinski doing his performance peice called 'Jesus Christ, Saviour' in 1971 - it was pretty intense and pretty amazing.

I'm delighted to be in the issue with many fabulous folks, including Harvey Molloy, (with his poem 'Closer' - I've seen an earlier version of this, and I really think Harvey has nailed it with this version), Siobhan Harvey, Kate Camp, Janet Freegard and many others. Special mention goes to Marcel Currin, whose two short prose peices had me shreiking with laughter on my quick nose through.

And, as promised in the title, Harvey Molloy organised a Wellington launch for Blackmail Press 25. Details below:

01 September 2009

Stuff to know about: Enamel submissions close soon

Submissions for the second issue of Enamel close at the end of September.

I'm sure that, like me, you'll submit only just before the deadline. Check out the submission guidelines here: http://enamelmag.blogspot.com/2009/03/submission-guidelines.html.

The first issue was lovely - definitely the best-looking first issue of a literary mag I ever saw. I'm looking forward to the second already.

Stuff to know about: Poets for Princess Ashika

Poets for Princess Ashika: Love, Loss and the Sea

Fundraiser for the victims of the Princess Ashika Ferry Disaster in Tonga featuring Poets Karlo Mila, Apirana Taylor, David Geary and Glenn Colquhoun, and Te Roopu Kapa Haka o Paekakariki

2 pm Saturday, 5 September at Paekakariki Memorial Hall, The Parade (next to Campbell Park),

Koha entry. Afternoon tea. Bring some biccies if you can! Gold coin raffle.

For more info: http://nzlive.com/en/nzlivecom/poets-for-princess-ashika-love-loss-and-the-sea

30 August 2009

Waiting for Watching for Smoke

Actually, I'm not waiting at all, because it won't get finished if I just sit around. Instead I'm working towards Watching for Smoke, the poetry chapbook by Helen Heath, which I'm (ie Seraph Press) about to publish/am in the process of publishing.

From the very first, when I suggested a chapbook to Helen, it was quickly obvious it was going to have to be something special. Of course, all the books I publish are special - I don't publish very much, and I'm totally in love with everything I do publish; I feel I have to be - it's not as if I have a surfeit of time to just throw away. But one of the first things Helen mentioned when we first talked about this book was knitting needles.

If you know Helen, or read her blog, you'll know that as well as being an accomplished poet, she's pretty crafty. Crafts are even mentioned in one of the poems, 'Hooks and needles': 'those hooks / those needles / what we craft.//We make our beds / and sometimes / we bleed on them'. So knitting needles incorporated into the book seemed very appropriate. But how? It sent my mind spinning in various directions, and I've made quite a few prototypes, to see what might work and what won't.

I've also talked to lots of people, who have given me lots of ideas. This has been quite a collaborative process, particularly with Helen herself, but thanks also to Emma, who suggested the grey card, Lesley, who gave me some ideas about how to cut it, and Art-and-my-life Pauline, who sent me a consignment of knitting needles all the way from Mosgiel.

So now I have a final design. The books will have a wrap-around cover, which will fasten with a knitting needle or crochet hook (mostly needles - crochet hooks are hard to come by cheap), and will have a cut-out through which the title shows. They're going to be beautiful - fittingly so, to match the poems they contain. The cover is the aforementioned grey card (the colour is 'Twilight' in English, and 'Crépuscule' in French), and it's all going to be bound together with red hemp thread (the same thread I used with yellow covers on Scarab). I'll have pictures soon!

So now I'm working on how to make it happen - and happen 100 times. It is involving much fiddly cutting, but I've been inventing ways to make it all a bit easier and repeatable. I've been using those problem-solving skills you're always supposed to demonstrate in performance reviews. I've made templates out of bits of plastic from some folder I found in the study and which neither Sean nor I were particularly attached to, and using not one but two different kinds of craft knife.

Getting the text pages printed was the easy part - I sent my pdf off to the lovely folks at Wakefields Digital (who remain my fav printers) and a full of beautifully printed and folded arrived on my doorstep a couple of days later.

So I'm going to spend the rest of today constructing more of these little treasures. Fortunately I don't have to get them all done at once, but I do need to get enough done for Helen to take to Palmerston North on Wednesday, for her guest reading at Stand Up Poetry at the Palmerston North Public Library.

And watch this space for details of the launch we're planning to welcome Watching for Smoke into the world - probably late-ish in October.

29 August 2009

Farewell Alistair Te Ariki Campbell

Like everyone else in the local poetry community, I was really sad to hear of Alistair Campbell’s recent death. It was nice to be able to remember him at the Voyagers launch with others who knew him.

I met Alistair Campbell a couple of times, though I certainly wouldn’t say I knew him. I was lucky enough to have heard him read a few times, and after I’d proofread It’s Love Isn’t It? – the wonderful collection of poems by Alistair and Meg Campbell that Mark Pirie of HeadworX published last year – we traded books. I have a lovely postcard he sent, telling me that my book cheered him on a bad day. I’ll treasure it.

He was the writer in residence at Vic in my first year there. He was a writer of much mana and stature. I hope he’s been reunited with Meg somewhere. They’ll both be missed.

Stuff I’ve been doing

Got sick, read at Voyagers launch even though I should have stayed home under a blanket. Was fun.

While sick, read a lot.

Sorting out final details of Helen Heath’s Watching for Smoke – will post about that soon (!)

Finished off JAAM 27 and sent it off to print. Very excited about this. It looks gorgeous! I’ll write more about this when it comes back from the printer and is ready to go out into the world.

16 August 2009

What I wanted in my life

Last week I was nosing through some of my old journals (actually in the hope of finding references to movies I’d been to see, as research for a poem I’m writing, but I don’t seem to write about my movie viewing in my journal, unfortunately) and I came across some pages from the end of 2002 which I had entitled ‘Hellie’s list of things’.

I remember writing some of this stuff – I was sitting on the balcony we had at the flat we lived in at that time. The balcony looked out across the green valley towards Kelburn viaduct. I’d often sit with my feet up on the railing in the sun – but only for a few months each year, when it actually got any sun – the rest of the year the balcony just stopped us getting much light into our lounge. But anyway, when I wrote this is it was October, and so would have recently got the sun back late in the afternoon.

‘Hellie’s list of things’ was basically about what I wanted my life to be like and what I wanted to achieve. The first subheading is ‘Projects to do’, and there is a list of seven writing projects – including film and television ideas, and a novel. The only one I’ve actually achieved in the seven years since is to have finished another poetry book. (Though I haven’t abandoned all of the others).

After that the ‘list’ gets a bit more esoteric, but there’s some things I wanted to learn more about, some things I wanted to do, and some things I wanted to be. I was surprised to find that one of the things was to ‘work at Encylopedia of NZ’, which, indeed, I now do.

Then comes a bunch of names of people, almost entirely writers, who I can only assume are people I admired or was inspired by. There are such people as Jane Campion, Katherine Mansfield, Ursula Bethell, Douglas Coupland, Sylvia Plath, ‘Merchant Ivory woman’ (I meant Ruth Prawer Jhabvala), Sylvia Plath, Artemisia Gentilleschi, Vivienne Plumb, Christine Jeffs, Margaret Atwood, Jeanette Winterson, Maurice Gee, Fleur Adcock, Vanessa Alexander and Janet Frame.

It segues, without even a line break(!), into some notes about wanting to work on some collaborations with Sean. (I’m no longer sure that’s a good idea. I’m not sure I work that well with others in a creative sense.)

Then there’s a list of things that, as I recall, are things I wanted in my future. Many of them I do now have – such as our own sunny house (yay!), enough money, close friends (which I had at the time of writing as well – I guess I wanted to keep them and add to them). Some are things I don’t have yet, such as working mostly from home, and a vege garden – though I’m not sure how much I actually want either of those things (I sometimes have a feeble sort of neglected vege garden).

It ends with ‘Publishing?/Design?', which are both things I have been able to do in various ways; and the final thing, which is something I have almost all the time: ‘Happiness’. How schmaltzy!

It’s interesting to take stock every now and then. To look at your life and what it is, to see how it measures up to what you thought you wanted, and how it measures up to what you actually want now.

I think I’m doing pretty well.

15 August 2009

Martin Edmond on biography - this weekend's quote

If you’ve read my blog for a while, you might remember my flurries of posts about biography, and might be aware how much I love them. I found this wonderful quote today in Martin Edmond’s Chronicle of the Unsung (which I can tell is going to become one of my favourite books, even though I’m only up to page 39):
I was actually more interested in the lives of artists than I was in their works. I would read biographies meticulously, as if by tracing the life I could, like van Ryssel or Schuffenecker copying van Gogh’s works, find out who I might be. The reading of biography requires that you imagine being the person it is about, which is impossible but no more impossible than the same imaginative act with respect to a character in fiction – yet wholly different for the very reason that in a biography you suppose yourself to be imagining the real. Is this always why you sometimes feel compelled to imagine not just being that person, but being, as they are, the subject of a biography yourself? Or is it a recognition of the fictional nature of any life told retrospectively and from the outside; and, following upon that recognition, a desire to imagine a similar retrospective fictionalisation of your own day-to-day existence? To read a life knowing how it ends is to read absolutely outside the consciousness of the person whose life it was, who, even if they knew the hour and manner of their death, still lived open-endedly. Radical misunderstanding of how people live may be consequent upon the passionate reading of biography. The most dangerous error is to attempt to live like the subject of a biography yourself.
(p.15)

14 August 2009

Science fiction poetry at the Poetry Society

How remiss of me! I should have written about this ages ago!

Some of us poets who had work included in Voyagers: Science Fiction Poetry from New Zealand are going to be reading at the next meeting of the NZ Poetry Society in Wellington THIS MONDAY (17th August). The meeting will be at the Thistle Inn, 3 Mulgrave Street, at 7.30.

For more info about this, and who is going to read, you can read all about it over on Tim Jones's blog: http://timjonesbooks.blogspot.com/2009/08/voyagers-sets-sail-with-great-crew.html